{"version":"1.0","provider_name":"CJRU.ca","provider_url":"https:\/\/cc.dtsandbox.com\/_cjru\/cj001.01","author_name":"Jonathan Rodil","author_url":"https:\/\/cc.dtsandbox.com\/_cjru\/cj001.01\/author\/jonathan-rodil\/","title":"NXNE Review: Motherhood | CJRU.ca","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/cc.dtsandbox.com\/_cjru\/cj001.01\/review\/nxne-review-motherhood\/\">NXNE Review: Motherhood<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cc.dtsandbox.com\/_cjru\/cj001.01\/review\/nxne-review-motherhood\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;NXNE Review: Motherhood&#8221; &#8212; CJRU.ca\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/cc.dtsandbox.com\/_cjru\/cj001.01\/wp-content\/uploads\/2020\/11\/NXNE-Review-Motherhood-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1819,"description":"Motherhood ended their set with \u201cTommy Toothless,\u201d a short and sweet track that was lighter than the others, but still maintained that reckless, strange dark undertone in the music. \u00a0Alt-country, art punk, experimental hard rock are just few labels that may be placed on the band, but they don\u2019t seem to be striving for anything concrete and this appeared to be the case for their set at Lee\u2019s."}